ARCHIVIO MONDANO ELETTRONICO



Spontaneous Plants

Spontaneous vegetation is defined as a group of plants that are specific to the Habitat in which they grow, and which nourish themselves through the natural elements that have the ability to help them develop.

The wild plant is in fact a plant that spontaneously grew in the place in which we can find it, where there have been the best conditions for it to settle and expand.

To spontaneously grow, doesn’t mean to grow easily.

The spontaneous act in itself requires synergy and collaboration of forces, a communal effort. To grow means to impact, and to be impacted.

Plants, through the way they are built by nature, teach us about decentralized power and horizontal collaboration.

To be a spontaneous plant means to be fluid and adaptive, but also focused and receptive toward what the environment can offer in a specific time and space. To be a spontaneous plant means to be persistent, tenacious, and stubborn. Yet, to be a spontaneous plant also entails not demanding from the environment what it can’t give.

valorizing qualities, making them thrive, without the careless act of exploiting.

We are also an attempt at spontaneous-vegetation- to- be. Growing, and expanding, in the specific territory that had all the qualities for this ecosystem to grow and flourish. Trying to get the best out of each individual, without asking what one can’t give. In an attempt to respect the ground we dwell in, the relationships we mold, and the collaborations we cherish.

spontanous_plants

Anonymouse Sculpture

Paula Buškevica

(Ongoing)

every day bit by bit

clunk clunk

the anonymous artist builds away

they say it is an artwork without an end

so it can never be exhibited

once removed from its original locus

the sculpture is no longer it

so you must come by to visit it – a little edge

every day if you wish

there will be something new to see

I promise

see you soon

every day bit by bit

clunk clunk

the anonymous artist builds away

they say it is an artwork without an end

so it can never be exhibited

once removed from its original locus

the sculpture is no longer it

so you must come by to visit it – a little edge

every day if you wish

there will be something new to see

I promise

see you soon

-->
anonymous_sculpture_(ongoing)

La nascita di un paesaggio

← Scansioni dal libro di Matteo Banzola

"La nascita di un paesaggio" è un libro edito da Matteo Banzola per il Consorzio di bonifica della Romagna Occidentale, pubblicato nel 2020.

Le immagini mostrano come il paesaggio attuale dell'area montana tra le Valli del Lamone e del Tramazzo sia stato definito e progettato artificiosamente in seguito al processo di rimboschimento e bonifica avviato all'inizio degli anni '30.

Lo stesso libro ha ispirato l'inizio di un percorso didattico, in fase di esplorazione, da svilupparsi congiuntamente tra Fototeca Manfrediana ed Habitat che possa relazionarsi fotograficamente con l'attuale risultato ed effetto dell'opera umana sul paesaggio.

La fotografia documentaristica potrebbe giocare così un ruolo fondamentale anche per conoscere la relazione tra uomo, risorse e paesaggio - in aree dove pastorizia e approvigionamento di legname hanno prima trasformato, poi lasciato spazio a nuove specie di flora non autoctona; che ora pare essersi integrato omogeneamente.

la-nascita-di-un-paesaggio

The Ghost of a Seed in the Kitchen

Leonardo de Marchi

A balloon in the land They were not in a context of sand – in the old tower on top of the old town A balloon the moon in the water *Like the brain of an oracle * Almost like a pizza in heaven the sport, in water – the trail, of senses *We don’t know, what has been broken, a purple ghost, living in them, and representing * the true self – a friendly ghost – it’s in my guts *An intricate soul a broadcast of fucked up waves – fucked up vases broadcasted * through a hole – through a stone thrown away in the face. *The empty cliffs – the agglomerate of juicy round rays * is coming at us connecting with us connecting from far away.

the-ghost-of-a-seed-in-the-kitchen

Iper-ozio

by Federico Poni, Enrico Tarò**

iper- ozio % versi ⟶ starts from an archive research at the Municipality of Tredozio (FC).

⟶ Allowing artists and designers to explore collections of materials in small municipalities and internal areas ⟶ stimulus through which to open discourses necessary for a new territorial reading.

In this case, we have algorithmically analyzed the finalist poems of the first edition of the Maria Virginia Fabroni Poetry Competition ⟶ Thinking of the archive as a variable and non-constant system ⟶ we imagine a remix of memory, multifaceted and fertile ⟶ with the help of digital technologies, worldmates.

Published in August 2021.

iper-ozio

Marchiare la Materia

a cura di Parasite2.0

“Marchiare la materia” è un workshop sull'atto di alterare e obliterare attraverso simboli e forme gli oggetti. In questo senso, si vuole esplorare quanto questo atto possa essere un rituale. Nel mondo animale marchiare il territorio è un modo per affermare la propria presenza ed in alcuni casi una presunta proprietà su uno specifico contesto. Anche gli umani, fin dalla preistoria, hanno sperimentato diverse modalità per affermare il loro diritto su un bene. Oltre che beni come appezzamenti di terreno o gli animali legati alla pastorizia, con il tatuaggio si marchia il proprio corpo, testimoniando l'appartenenza ad un gruppo, o il passaggio del tempo attraverso rituali. Questa pratica è ancora viva oggi nelle strategie di marketing, nell'hyper-branding, fino al marchiare architetture e grattacieli con ad esempio l'effige di una banca e del potere finanziario. Durante il workshop si è sperimentato in modalità quasi primitiva e sacra l'atto del marchiare, utilizzando come base gli iconici legni dell'azienda Alpi, timbrati e poi assemblati in diverse forme.

Fotografie: Stefano Colombo (Parasite 2.0)

Disegni: Parasite2.0

28.07-2021, presso il Vulcanino di Tredozio

marchiare-la-materia

Nomad Sculptures

Camilo Garcia Aycardi, Floor Van Meeuwen, Anna Sandri and Avital Barkai

The Nomad Sculpture(s) comes as a construction set inside a fruit box, rigorously found in Cà de Monti. It is composed of different wooden shapes - resulting from the cut in different scales of Reclaimed Wood’s leftovers, which can be assembled thanks to a series of cutting that serve as joints. The lightness of the sculpture, together with the idea of being movable, challenges the format of the sculpture as something fixed in time and space. The inner playfulness of the project invites the public to assemble and re-shape the sculpture depending on the site, allowing people to interact and engage with the imaginative shapes and contribute to the making of an ever-changing, yet inorganic artefact.

Realised in Cà de Monti, Tredozio (FC) during the first edition of the residency. August 2021.

nomad-sculptures

Things in my Hands

Paula Buškevica

things_in_my_hands

Incarnation of a H

a carpet

a tile

a light-box

a rustprint

3 pieces of wood

a sketch

incarnations_of_H

Burrasia

by Clang!

After a few dislocated apparitions that brought much doubt and dismay in our community, it’s official the presence in the municipal area of a huge animated white balloon. The creature seems endowed with its own life and agency. It emits signals of light and gently rolls along the paths of the woods, often following the river stream while confining itself, for the moment, outside the inhabited towns. It was filmed by a private camera along Via i Monti, a deviation from the state road for Monte Busca. In some confusing images (shooted at night), he glimpses a white shape that almost appears as doubled as if it’s hard to be captured. The news of these facts come also after the receipt in our office of several images of the mysterious balloon, pictured while travelling in the locality “Gorgoni”, close to San Benedetto in Alpe.

Extract from Burrasia, Clang!, August 2021

We are foreigners in a hospitable land. The point of view of the foreigner, also considering the various integration processes in progress, remains crucial for the understanding of the place in relation to the cultural and social dynamics outside the territorial bubble. The balloon of Burrasia represents the stranger who breaks through the local social fabric, who wanders silently but without yet giving explanations about his presence. An unexpected movement that arouses both curiosity and suspicion, veiled by the esotericism of the unknown faces that wander the roads of the village.

Burrasia is a publication made by Clang!: Enrico Tarò, Giacomo Vittone, Nicolas Sabena, Giovanni Sambo

Published in October 2021.

burrasia

The Parade

To proceed is to move Movement in space, movement in time

To proceed is to process.

Step one step two step three

To proceed and process while carrying something is an act of care. Carrying means bearing weight, bringing things along.
Not leaving behind.

I saw a procession, of people carrying objects. A procession of people carrying symbols. With painted faces, bright eyes, and singing mouths. A whole organism made of flesh and wood, hair and paper, cloths and hearts. From the house to the holy mountain.
Bits and pieces of the history of a place

Step one Step two Step three Step four

The street starts to go up. It’s time to push a little.
Watch out at the Holy Mountain, the ground is slippery. There are rocks. But if they go slowly, all together, they are safe. The organism reaches the top of the mountain.
The objects are placed together, communicating with each other. Naturally becoming one. Somehow, every element matches the other.
There is movement. Things are being switched, changed, just a little. Small adjustments that show shades of attentiveness. Rocks from the mountain are also collected. They turn into a spiral on the ground. Connecting the mountain to the misplaced objects, connecting the people to the place. The sun is starting to settle. The air turns yellow. It is time to go home.
Before leaving, the people look back at the objects, resting peacefully together.
Slightly moving, with the wind. A gentle touch. It’s time to let the mountain sleep. The organism recomposes itself. Becoming one again, a human- object apparatus.

Step one Step two Step three Step four Step five To proceed is to move Movement in space, movement in time To proceed is to process.

A way to look back, at what has been done. A way to foresee possibilities for the future. Activating the organism, in order for it to live and walk.

A procession to remember, to reflect, to look forward.

Step one Step two Step three
Step four Step five Step six

(Text written for a performance that took place on the 20th of October 2022 at Habitat during the Megastudio residency. “The Parade” is a short movie that documents this performance, a sacred procession reaching the Holy Mountain. Every resident carried an object created during the workshops taking place in the first year of habitat. The performance ended on the top of the mountain with the creation of a collaborative installation.)

THE_PARADE

Ah! You are also here!

ah__you_are_also_here

Tape screen printing

Pictures from a spontantenous screen-printing session happened during Megastudio, October 2022, Cà de Monti.

Pictures: Anastasia Miseyko.

tape-screen-prints

Nero Poni Spreads

a pigment made by Angelina from pizza oven's charcoal

nero_poni_spreads

Portraits from Anastasia

portraits_anastasia

Scrintilla

                                                                                                 Tic

toc

                                           ecco!

                                                                           stack

                                               shtak

stonk

                                                                              ohhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh

bum


un passo indietro


wooo


vabbè

boh

                                                                tic 

                                                                                         tac stonk

bom

bo, bim bam tic tac taaaaaaaaaccc daiiiiii

Scintilla

Bulding Sociabilities

Selection of posters by Jacopo Lega. Various Authors.

happenings

Structures from scans I would like to build

Paula Buškevica

  1. habitatsketch 1.jpeg

  2. habitatsketch 2.jpeg

  3. habitatsketch3.jpeg

  4. habitatsketch7.jpeg

  5. Habitat.Sprint 2.jpeg

  6. habitatscan 4.jpeg

  7. habitatscan 9.jpeg

  8. habitatscan 42.jpeg

  9. habitatscan 45.jpeg

  10. habitatscan 48.jpeg

  11. habitatscan.continua2.jpeg

  12. habitatscan.continua18.jpeg

  13. habitatscan.continua19.jpeg

  14. habitatscan.continua22.jpeg

structures_from_scans_i_would_like_to_build